When Paint Goes On Like Butter
Sometimes an illustration takes twelve layers of paint and lots of annoying changes of heart. Other times, the paint goes on smoothly and does exactly what I had in mind, “like butta.” This one Is turning out to be a butter illustration.
I’ve been using Holbein Acryla Gouache for many years. One of its best qualities is that it can be layered over and over without getting muddy — that means I can experiment with placement and colors without worry. It’s wonderfully changeable, flexible, and keeps its brilliant saturation through lots of layering. Lately I’ve been enjoying putting down a transparent layer and then building more opaque ones on top. It also has a velvety matte finish. I’m not getting paid to say all this, I just lovvvvvve acryla gouache, that’s all.
Transparent watercolors have made their way into my studio too, lately, especially for comics. For that kind of work I like the ink outline to remain dark and clean, and for the colors to just wash transparently over the ink. More on that later.